{"id":696,"date":"2014-04-21T15:18:29","date_gmt":"2014-04-21T19:18:29","guid":{"rendered":"https:\/\/pdc-f5-www-esm.rochester.edu-vs.its.rochester.edu\/wmf\/?page_id=696"},"modified":"2020-09-21T10:42:05","modified_gmt":"2020-09-21T14:42:05","slug":"share","status":"publish","type":"page","link":"https:\/\/pdc-f5-www-esm.rochester.edu-vs.its.rochester.edu\/wmf\/share\/","title":{"rendered":"Share Your Stories"},"content":{"rendered":"<h3>Please share your stories about projects that have originated or grown from the Women in Music Festival: &nbsp;collaborations with composers, recordings, research projects, or other projects that would not have happened without the festival.<\/h3>\n<script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\nvar 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inspirations<\/p>\n                        <\/div><form method='post' enctype='multipart\/form-data'  id='gform_1'  action='\/wmf\/wp-json\/wp\/v2\/pages\/696\/' data-formid='1' novalidate>\n                        <div class='gform-body gform_body'><ul id='gform_fields_1' class='gform_fields top_label form_sublabel_below description_below validation_below'><li id=\"field_1_1\" class=\"gfield gfield--type-textarea gfield_contains_required field_sublabel_below gfield--has-description field_description_below field_validation_below gfield_visibility_visible\"  ><label class='gfield_label gform-field-label' for='input_1_1'>Your Message<span class=\"gfield_required\"><span class=\"gfield_required gfield_required_asterisk\">*<\/span><\/span><\/label><div class='ginput_container ginput_container_textarea'><textarea name='input_1' id='input_1_1' class='textarea medium'  aria-describedby=\"gfield_description_1_1\"   aria-required=\"true\" aria-invalid=\"false\"   rows='10' cols='50'><\/textarea><\/div><div class='gfield_description' id='gfield_description_1_1'><strong>Please include your name and if you'd like, a title, designation, or class year and degree.<\/strong><\/div><\/li><li id=\"field_1_3\" class=\"gfield gfield--type-captcha field_sublabel_below gfield--no-description field_description_below field_validation_below gfield_visibility_visible\"  ><label class='gfield_label gform-field-label' for='input_1_3'>Just to make sure you aren&#039;t a spam bot:<\/label><div id='input_1_3' class='ginput_container ginput_recaptcha' data-sitekey='6Ld-WhoUAAAAAADLlU-QCgDzoTJKthbI3xIShYie'  data-theme='light' data-tabindex='0'  data-badge=''><\/div><\/li><\/ul><\/div>\n        <div class='gform-footer gform_footer top_label'> <input type='submit' id='gform_submit_button_1' class='gform_button button' onclick='gform.submission.handleButtonClick(this);' data-submission-type='submit' value='Submit'  \/> \n            <input type='hidden' class='gform_hidden' 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I was lucky enough to premier a work by Barbara York at the festival, which was wonderful. However, the best part of the festival for me was being able to play that piece, entitled &#8220;Suite for Horn, Tuba, and Piano,&#8221; with Gretchen Snedeker. Little did any of us know that it would be the last time we would hear her play her horn at Eastman, but I consider myself to be the luckiest person to be on the stage with her for that performance.<\/p>\n<p>Andy Smith, MM &#8217;09<br \/>\nDirector of Athletic Bands, UNC Greensboro<\/p>\n<p>&nbsp;<\/p>\n<p>I have a long history with the Women in Music Festival. In 2007, I played &#8220;Light from the Cliffs&#8221; by composer Hilary Tann for the noontime concert at the Miller Center. In 2011, I was Assistant Director for the festival and the guest Composer-in-Residence was Hilary Tann. My ensemble group played Tann&#8217;s piano trio, &#8220;Nothing Forgotten&#8221; in the WMF tour and Nazareth College concert. After the performance at the Nazareth College, Hilary Tann came to me and said, &#8220;You should record this!&#8221;. In 2012, we played a concert dedicated to Tann&#8217;s solo and chamber works. In 2013, we recorded 8 selected pieces by Tann including 6 premiere recordings. In 2014, the CD &#8220;Musical Landscapes of Hilary Tann&#8221; (www.musicallandscapes12.com) is about to be released by Centaur Records. I am planning a CD launching party and concert this June.<br \/>\nThis was my long and happy journey with the WMF!<\/p>\n<p>Eunmi Ko, DMA &#8217;12<\/p>\n<p>&nbsp;<\/p>\n<p>Dear Sylvie,<\/p>\n<p>Thank you for 10 wonderful years of service to music in Rochester. I have played music and met people that will always stay in my memory because of Women in Music.<\/p>\n<p>Petar Kodzas ESM DMA 99<\/p>\n<p>&nbsp;<\/p>\n<p>Upon applying for a position to teach here at the Eastman School of Music, my first contact was with Dr. Sylvie Beaudette who would be playing for me for the audition. Her talent, support, positive energy and kindness was so appreciated. I have been able to now participate in the WMF many times and her work and dedication towards this festival has been amazing. It has been a great success and many of my students -male and female- have benefited from the exploration of new literature and through the exposure to the work of many women composers. Dr. Beaudette and those that have performed have created a wonderful legacy that we can all celebrate.<\/p>\n<p>Kathryn Cowdrick, Associate Professor of Voice<br \/>\nIt is such a pleasure to try to capture tones of words to match music. Thank you Sylvie Beaudette for inviting poets to be part of this celebration! Below, a poem inspired by Souvenir d\u2019une f\u00e9e (Memory of a Fairy) by Mei-Fang Lin , who wrote her piece for violin of this title in memory of her Grandmother. The Chinese characters for &#8220;Sien nyu&#8221; do not reproduce here, but imagine their brushed presence after &#8220;solace strokes&#8221;.<\/p>\n<p>Souvenir d&#8217;une f\u00e9e<\/p>\n<p>A flight of notes<br \/>\nthen<br \/>\nmemory balances<\/p>\n<p>(ghost on tiptoes bounced by bow<\/p>\n<p>silence spun on fleet-feet)\u2014<\/p>\n<p>We do not know<br \/>\nwhat echoes lie in fairy, f\u00e9e<\/p>\n<p>how solace strokes<\/p>\n<p>Sien nyu : woman of divine beauty<br \/>\nand grandmother<br \/>\ntwining, spinning<br \/>\nink, note by note,<br \/>\n(her ghost on tiptoes)\u2014<\/p>\n<p>She, the ideal<br \/>\nthe violin makes skip with joy<\/p>\n<p>pauses, gathers all the ages<br \/>\nof herself:<br \/>\ngirl, mother, the tenderness of old age\u2014<\/p>\n<p>Grandmother<br \/>\nas moonlight<br \/>\nstrewn meadowsweet<\/p>\n<p>and violin<\/p>\n<p>breathing her memory.<\/p>\n<p>&#8212; by Kitty Josp\u00e9<\/p>\n<p>&nbsp;<\/p>\n<p>Sylvie always has a cheerful Bonjour and an infectious enthusiasm which encouraged me, in my first years at Eastman, to have the pleasure of performing 2 rarely heard Chansons by Lili Boulanger with her and subsequently encouraged my students to participate. This series is, and will continue to be missed, by its audiences and participants.<\/p>\n<p>Jan Opalach<br \/>\nAssociate Professor of Voice<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please share your stories about projects that have originated or grown from the Women in Music Festival: &nbsp;collaborations with composers, recordings, research projects, or other projects that would not have happened without the festival. &nbsp; The Women in Music Festival will always hold a special place in my heart. 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